Drive

Drive is a difficult book. I could not quite follow its story and I found none of the characters engaging. I have bought the DVD film because of one thing: Ryan Gosling. And he hasn't disappointed. Actually, I was hooked the minute from the credit sequence: Cary Mulligan is in it. And the chemistry between her and Ryan is just brilliant. I still find the story a bit thin, but then the music, as well as the performance, creates a surreal world where such thing doesn't seem matter that much, at least when you are immersed in it anyway.

Mother

This Korean movie is, on the surface of it, about a mother's desperate efforts to prove the innocence of her retard son who has just been accused of murder. In the last ten to fifteen minutes however, it becomes an observation on human nature and what it can drive us to do in the name of love. 'Mother' gave a virtuous performance, especially in the closing sequence when she dances in the open field to the music only we can hear. It feels as if she is then completely free - beyond any moral boundaries. With this film, Boon Joon-ho proves once again his power in depicting the blurring of the conventional moral boundaries.

Raising Victor Vargas

It is so raw yet real and powerful, one can hardly believe it is made in America.

Midnight in Paris

Although I had already read some rave reviews before I could get hold of a copy of this film, I was still pleasantly surprised by how idiosyncratically amusing it actually is.

Irina Palm

Despite the tragedy and all the uncertainties until the very last minute, this is a hilariously funny film that keeps you stay tuned. A surprising cinematic triumph, much thanks to the subtle performance by its leading lady Marianne Faithful. Great chemistry between her and Miki Manojlovic, who also stars in one of my favourites, Underground.

Nina's tragedies

Made in 2003, this is a the most refreshing and rich in texture film I have ever watched in recent weeks. A real eye-opener.

Sopyonjie

It took enormous patience to sit through this slow pace film featured by regular and lengthy performance of a dying art form pansori. Accompanied only by a hint of drum, the traditional solo recital can sound rather monotonous, especially when the performer has to remain absolute passive throughout and voice becomes the only vehicle they can resort to. But despite the challenge to a foreign audience, it has a drawing power to keep you stay on to see what happens to those wanderers and guardians of a dying art. This is unexpected rewarded when the two siblings reunited briefly after years of separation and sat in the small rundown inn to perform the most challenging piece in their repertoire in great harmony and with repressed longing for each other. This is an exquisite film.